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・ Théâtre du Silence
・ Théâtre du Soleil
・ Théâtre du Vaudeville
・ Théâtre du Vieux-Colombier
・ Théâtre Déjazet
・ Théâtre d’Esch
・ Théâtre Espace Go
・ Théâtre Fairmount
・ Théâtre Feydeau
・ Théâtre français de Toronto
・ Théâtre Graslin
・ Théâtre Hébertot
・ Théâtre Illuminata
・ Théâtre Impérial de Compiègne
・ Théâtre l'Escaouette
Théâtre Libre
・ Théâtre Lyrique
・ Théâtre Maisonneuve
・ Théâtre Marigny
・ Théâtre Mogador
・ Théâtre Montansier
・ Théâtre Montparnasse
・ Théâtre municipal de Colmar
・ Théâtre municipal de Tunis
・ Théâtre Nanterre-Amandiers
・ Théâtre National de Bretagne
・ Théâtre national de Chaillot
・ Théâtre National de l'Opéra
・ Théâtre national de la Colline
・ Théâtre National de la rue de la Loi


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Théâtre Libre : ウィキペディア英語版
Théâtre Libre

The Théâtre Libre (French for "Free Theatre") was a theatre company that operated from 1887 to 1896 in the Montmartre district of Paris, France.
==History==
Théâtre Libre was founded on 30 March 1887 by André Antoine, who wanted to create a dramatization of an Émile Zola novel, ''Thérèse Raquin'' after the theater group for which he previously worked had refused. The Théâtre Libre was exempt from censorship and put on many plays that other theaters would not, such as Henrik Ibsen's ''Ghosts'', which had been banned in most of Europe. The theater performed one foreign work per year and it staged only three performances of any production. Some of them included Leo Tolstoy, August Strindberg's ''Miss Julie'', Bjørnstjerne Bjørnson's ''A Bankruptcy'', and Gerhart Hauptmann. It was the first of its kind and inspired many theaters and different approaches to acting.
Playbills and posters were created by leading artists of the day with an unglamorized, gritty realism that reflected the spirit of the theatre and its repertoire. Among the artists that produced the most memorable works for its plays were Henri-Gabriel Ibels, Édouard Vuillard, Paul Signac, George Auriol, Adolphe Willette, and Henri de Toulouse-Lautrec.
The theatre presented more than 100 plays by more than 50 playwrights during its existence. However, despite its achievements, the theater had financial and managerial problems. Actors left as they gained more notoriety. In 1894, Antoine let another director take it over when it owed large sums to creditors. It ran for two more years until 1896, when in severe debt, the theater finally failed.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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